Category Archives: Recording

Build Your Own Home Recording Studio the Easy Way

It does not take an Einstein descendant these days to construct his very own recording studio. But for someone who is about to start a business of its own, is it very difficult to take a leap start. Without a guide, or someone that can serve as a mentor, you will probably undergo a lot of headaches even before your studio can be utilized. More often than not, not only you will experience the hassles but as well suffer an evacuated savings account, as a starter would spend a thousand bucks to open a recording studio. A business planted inside your very own home saves you a lot from rental fees, but the other equipment and gears would cost you plenty of money.

Revolution of software

Gone are the days wherein you packed your place with plenty of hardware-outboard processors, Multi-track recorders, mixers, and loads and loads of cables. They are still important, and their usage is not yet out question. But if we are talking about necessity here, it has trimmed down ever since the invention of the software almighty. A single software can perform the functions of five (or six) hardware altogether. Almost everything is being taken cared of that software. And you can skimp on space too. You do not have to buy those expensive, space occupying hardware anymore. Obtain nice recording software and your studio is a mile short from being ready.

A computer is urgent

Recording software would never work without this hardware-a computer. This is the most important hardware of all times when you have a studio recording business. You choose between a Mac, or a PC. It is your choice. Some software agrees on Mac alone, while others run smoothly with PC. If you want less expensive, go for a PC. However, Mac you will not be interfered with virus injuries. Pick whatever suits your taste, comfort and type, as long you do not skimp on the computer memory and RAM. Higher than 100 gigabytes will do good, but you can go mightier than that. Motto: the bigger the gigs the better.

The other hardware

There are hardware in which their importance will never be outshone. Grab good qualities of both dynamic and condenser microphones, Pre-amplifiers, sound-cards, MIDI interface, and studio monitors in the market. Ask, canvass and compare. Either you have the extra cash or not, go for the expensive ones as they will surely deliver great quality of help. Purchasing less pricey gears require frequent upgrades, and this will steal more money than you thought of.

These are the basic reminders when preparing of building your recording studio business inside your home. You do not need to think a lot of materials. After the successful launch of your recording enterprise, you will have a great deal of time to upgrade it.

-By: Dan Morrison

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Indie Artists and Indie Musicians – Can You Benefit From the Guidance of a Music Career Coach?

Trying to make it as an Indie Band or Indie Artist in the music business today can be a daunting task. The sea of competition in the independent music realm is overwhelming and you basically need every competitive edge you can muster. Staying on top of your music marketing and promotion initiatives is your first step. So how do you do this? Well for starters, you must learn everything you can, especially if you are doing all the marketing and promotion yourself. An educated independent artist is a successful artist.

There are many Do-It Yourself Indie music survival guides available that will teach you the music marketing and music promotion strategies that you should employ. Once again, if you are doing it all, you should take advantage of every piece of advice you can get. Staying ahead of the competition is a key factor, and you can only do that by doing it better than the other guy.

One way to do this, other than educating yourself is to get some professional guidance and direction from a music manager or consultant. In the early stages of your music career it will be exceeding difficult to attract a high-powered artist manager mainly because music managers with a degree of creditability and juice that can actually get things done are only looking to sign artists to roster management that can actually generate income. Artist managers are in business to make money like any other business. As a developing artist, it is unlikely that in the beginning, you will be making any substantial income.

So, all this being said, you can do a couple things. Be a DIY artist and work hard. Learn all you can about the marketing, promotion, and publicity end of getting your music career on track. Or, you can seek some help and guidance. An Independent Artist coach or consultant may be the way to go. They can advise you on every aspect of music promotion, marketing, and music publicity. They can literally walk you through every step of artist development and show you the ropes, or in some cases they can do it all for you.

By engaging the assistance of an Indie music Coach, or music Business Consultant, it will enable you to build the solid foundation you need to really start getting your music career on track, ultimately creating awareness for your project and eventually enabling you to attract the attention of a heavy duty roster based artist management company or record label. All this will, of course, help greatly in raising your independent music career to the next level. The music business is a tough industry. Don’t be afraid to admit that you may need some help and guidance. Do whatever you have to do to rise above the crowd. Good Luck!

Start Your Journey in Recording Schools

There’s certainly in no way been a much better occasion to find yourself in the music business, and also presently there has certainly in no way been a superior place for you to commence your own exploration associated with that business than at Wisconsin Recording Schools. You are able to give free expression to a wide variety of factors associated with your character via a career within recording, be you creatively minded, technically inclined, or even centered on funding.

Explore possible career choices such as sound specialist, sound engineer, A

Music Schools – Paving the Way Towards a Lucrative Music Career

Louisville is abundant in alternatives when it comes to Louisville music Schools and employment opportunities in the facet of music recording. Should you enroll in online classes, or go to a campus somewhere? While online classes are less costly, this route provides so little room for quality internship – something that is very much required in this type of business.

What type of degree are you aiming for? Do you want a media communications degree that allows you to be front and center on a music program? If you like to be sportscaster, then you should get these degrees as these will teach you about the ins and outs of the game and can make it sound very intriguing. Or maybe you like being the newscaster, reporting on local news with a journalistic flair–or a weathercaster with a fun and more focused job. Or perhaps you want to be a DJ and host a relaxing morning show or a cool music hour. Getting a media communications program is probably the best way to go. Of course, if you want to be involved in the technical aspects of music, from sound boards to broadcasting arrays, then a degree that is a bit technical is a must, and your alternatives change again. The same goes for advertising, marketing, or production at a music station: these also call for various concentrations.

So let us take a closer glance at Louisville music Schools and what options you have. Believe it or not, college classes should not be the first place you should look. Why? Let’s name a few reasons. Firstly, it’s very difficult to get a degree that fully explores the type of music job that you like to do. Then, college classes require a considerable time commitment and you may not be able to travel to the campus or meet at the required time to due to outside factors as jobs or family. The University of Louisville, for instance, is among the schools that provide technical and media communications classes including good, general training in various music jobs. Asbury College, a little outside of the city, has a media communications degree with a performance emphasis that is well appropriate for those wanting to have a career in front of the microphone, including a production degree for those who like to be more involved in the business and technical aspects of the music world. But if options such as these do not appeal to you, then you can always go to music stations in the area for internships and other more specific training programs.

These programs, which are offered by organizations such as music Connection and local music stations alike, offer more flexible alternatives which allow you to work in a music-oriented environment and learn more particular skills that may be better suited to your career goals. There are also local music stations that provide assistance to students who want to penetrate the music business. Among these are Lite 1069 and WFPL – they encourage students to apply to their student internships. These and similar options may be more helpful than the conventional Louisville music Schools route.

-By: Alex D Baker

Louisville music Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Music Production Schools – Recording and Engineering Careers

It used to be that you had to go to a very liberal university or an art school to find a decent music production program. Now it seems that they are popping up everywhere. No surprise due to the fact that the average American spends more time and money on entertainment than they do on food and shelter combined.

Choosing a music production school: So, the question for prospective students is not where can I find good music production schools. It is who is going to provide an education that the industry will take seriously. The entertainment industry has always been fickle. That hasn’t changed.The old school saying “it’s not what you know, but who you know” has been proven in the entertainment industry more than any other. So, if you take that as a rule, the reputation of the music production school will play an enormous factor in your marketability.

A lot of music production schools offer basic audio production programs. Community colleges have even jumped on the bandwagon. Does this mean that they are all going to get you a job? Sure. There is no doubt that you can get into the field with minimal training at a music production school without any reputation or accreditation from the industry. Are they jobs worth taking? Probably not. Most people that yearn for a career in audio are not going to be satisfied with a career as a sound tech or a live mixer at the local venue that changes names and owners as often as kegs of beer. Some people are. If you dream of a career working with estabished artists, studios, or production houses you need to plan carefully.

The following music production schools have been around for a while and are recognized in the audio production community for providing a solid audio foundation using the latest gear available. Check out their sites and see what they have to offer you.

music Production Schools Recording Connection places students in real music recording studios. Each student is assigned to one recording professional in a real recording studio. The student learns recording from a music producer or recording engineer who is working in the recording business.

Full Sail Real World Education’s degrees for creative minds include Computer Animation, Digital Media, Entertainment Business, Film, Game Design

Jumpstart Your Music Career at Recording Schools

You should make your dreams happen and if yours involved writing, producing and marketing music, then you should get into one of the Maryland Recording Schools and start making your dream a reality.

The music industry is hotter right now than it has ever been, so if you live anywhere in “The Old Line State”, don’t waste another moment before taking the chance to start a new lifestyle as a recording exec. At Maryland recording schools, you will be taught about the secrets of crafting songs and then making them sellable to the public; you would also get to learn about the latest trends in technology and procedures in the recording business.

For too long now, you may have idly sat and listened to the radio, CD or MP3 player. The great new is, you can STOP doing that useless charade and start making your own music like a professional ” all that is possible at Maryland Recording Schools. With the right teachers and the right tools, you can be on your way to your new career as an audio technician, sound engineer, composer or producer in no time. So much of the technology employed by musical professionals nowadays is computer-based that if you’ve even a slight familiarity with the workings of a Mac or PC, you will find learning how to make and record music can be as simple as a few quick clicks of the mouse.

you are a recent college or high school grad looking to get in on the ground floor of one of the most exciting lines of work there has ever been, filled with glitz, glamour, hard-rocking shows and even harder-rocking after-parties, look no further. This career is ideal for someone fresh out of high school or college, someone who wants to know how a glitz-and-glamour life looks like. This is also for the person who has spent a lifetime in a job that doesn’t allow creative expression and is continuously hoping to get satisfaction of a dream that is deeply buried.

Recording industry professionals obtain some of the highest salaries in their market, and get the chance to work across a wide range of demographics. Don’t underestimate the challenges involved; it takes a lot of hard work to make it to the top in the recording business. But if you begin your studies now at Maryland Recording Schools, apply yourself to all of your lessons, and carry a can-do attitude with you out into the employment arena0, it may not be too long at all until you are riding along with your entourage in a stretch limo on your way to attend the next Grammy awards.

-By: Alex D Baker

Maryland Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Learn a Musical Instrument, Prepare for a Career

Invisible career-Path Available Only to musicians

For a skilled musician, there is an additional career path that is invisible to the non-musician. This is an additional benefit beyond the pleasure of playing music, the attention it brings, and the better academic performance than students who do not learn to play a musical instrument. It is a broad range of extra career opportunities that non-musicians never even consider.

But if you’re a musician, you can apply. Let’s take a look at these careers that are available only to musicians

Education: Are you a musician who has also studied education? If so, there are numerous music education opportunities that may interest you:

Artist Management – Is a Music Management-Consultant a Good Alternative For the Independent Artist

In today’s independent music environment the onus for success is totally on the artist. It’s basically up to them to do it all. This includes the music marketing, the music media relations, music promotion, and CD distribution, you name it. As an independent artist you find yourself completely on your own to do it all yourself.

Although it’s a very good idea to be an active partner in the business end of your music promotion and music career, which after all – is your business, many obstacles could come between you and your success. These barriers are pretty obvious.

Your time could be far better spent on the creative end of your music career as a performing and recording artist. You may lack the necessary connections and music publicity contacts you must have in order to properly advance your music career by yourself. Or it can simply come down to the fact that you’re overwhelmed by it all and just have no clue where to even begin. If you have attempted to gain the attention of a well connected artist management firm or band manager that often time provides these services or connects you with them, then you may found yourself running into a brick wall.

There was a time in the music business – and I’m going back many years, when it was not as difficult to gain representation from a reputable well connected artist management firm where the typical 20% commission off the top end was standard remuneration for their management services. Even in some cases when the artist was not actually bringing in a lot in the way of commission income, some reputable artist management firms as did some major record labels, put faith in the idea that if the artist truly had major potential, and they believed in them, they were more willing to spend their time and own money further developing and promoting an artist or a band. This of course essentially boils down to speculating. Something a financial investor might do. Let me be clear – Artist Management Companies are not investors!

In today’s music world with literally hundreds of thousands, and probably millions of independent artists attempting to gain exposure and accelerate their career, all in the same way, at similar talent levels, I would ask you to imagine the enormous kind of competition you are up against as an independent artist. Speculating with those kinds of odds is just not something a creditable management firm or even a smaller independent record label is willing to do any longer.

Before a major or high level independent record label will even consider signing a new artist to any kind of record deal or recording contract they will look for and expect nothing less than a fully developed act. The artist must already have a huge fan base, major tour history, a major media buzz and story, and significant proof of independent record sales. The same goes for a reputable artist management firm where a commission based roster signing applies. Now of course there’s always your good friend Johnny or Alisa, or your Mom or Dad who follows the band and loves you dearly and is willing to be your manager — but we should be realistic here. Just how far will Johnny, Alisa, or Mom and Dad be able to get you? You might as well do it yourself. If you are truly serious about accelerating your music career, and for many of the reasons stated in this article, you can’t or don’t want to do it yourself, then you need some semblance professional representation or guidance. This is where a short term interim artist management-consultant may be able to provide the promotional services that you need to get ahead.

Engaging a short term management-consultant can fill the gap and play a major role. If you manage to find a consultant that is actually an artist manager with high degree of music business creditability, connections, and experience that will professionally advise and represent you in all aspects of your music career with no contractual commitment, it could be a very smart move.

Artist Management-Consultants are becoming an extremely popular avenue for Independent, DIY artists and musicians in order to gain all the benefits of a well connected manager while they are still a bit under developed and not quite ready for roster based management. A lot of music business consultants will work with you on a retainer or hourly basis to advise you and help to accelerate your music career. Once they have helped to propel your career to an acceptable level of buzz – some will even shift the arrangement to a commission based roster scenario at your request. So in the earlier stages of an act’s career, an artist with potential should seriously consider the artist management-consultant path and reap its many benefits.

If you are lucky enough to acquire the services of a reputable well connected roster based artist management firm or band manager on a commission only basis, then by all means you should consider going for it — after of course you have checked them out thoroughly and before entering into a long term contract. However, the harsh reality of this occurring when you may be at a beginning to intermediate stage of development in your music career is unfortunately slim to none. Especially if you or your band has not met at least some or most of the prerequisites I have mentioned above.

By bringing on a reliable professional music management consultant who will work hard on you behalf and get results in the advancement of your music career, the modest retainer or consulting fee you pay them will be well earned. In the long run he or she can help you advance your career to higher levels, eventually opening doors and facilitating the attention of reputable booking agents, professional roster based management firms, record labels, music publishing companies, and music licensing opportunities.

Hiring a short term well connected and experienced artist management or music business consultant to professionally represent, advise, promote, and market your music career in your early to mid stages of development can be a great alternative to the standard commitment of roster based management, which would be next to impossible to get at the early to mid stages of development. One of the benefits of hiring a short term interim consultant is that if you’re not happy with your manager-consultant’s performance, or you can no longer afford them, then you can simply fire him or her at any time. You can’t fire a roster based management firm that has an iron clad contract with you.

The basic idea behind the theory of starting out with an Artist Management Consultant or bringing one on at your mid-level development stage is that he or she should be able to advise, develop, and promote your music career to the point whereby you’ll become more attractive to a reputable roster based management firm and record label. Or you can possibly change the terms of your temporary agreement with your management consultant and enter into a commitment with the consultant (who should be an artist manager and have serious experience and connections in this area) for commission-based roster management.

The beauty of this possibility is that through your previously working relationship with your management consultant you have essentially built the foundation of trust, loyalty, and respect, which is crucial in any artist – manager relationship. Before you sign a 2-4 year management contract (Which is basically like a marriage) you’ll know with peace of mind, exactly how effective your manager will be for you, and the kind of performance you can expect moving forward because it has already been proven.

Hands On Training at Recording Schools

Long Beach, California overlooks San Pedro Bay and is located on the southern cost of Los Angeles County; it’s also considered as the fifth biggest city in the state. Long Beach was proclaimed a city in 1888 and is 50 square miles in size and is one of the business seaports in the country. With 345 days of sunshine and temperatures averaging in the mid 70’s, it is not difficult to understand why countless people love to visit and live here. Add to that such recreational sports like: jet skiing, windsurfing, water skiing, sailing, kayaking and fishing and virtually everyone can understand why it’s a paradise for those that not only want to study but enjoy their fun times here too.

Students who are searching for schools also take into account the accessibility of other cities in California. metropolitan area and many forms of transit are available here.

It is a great thing that Long Beach recording schools offer numerous alternatives for students with discriminating taste. The choices are just a heartbeat away – whether they want a degree in the Recording Arts or loads of hands-on training. What any student has to decide on is in determining which of these several Long Beach recording schools to pick.

A degree in recording, if desired, gives the student a general idea of the types of vocations related to this career choice. The usual set-up is that the first half of the program is dedicated on studying the core courses – necessary to complete the degree. Once the student is in their third year, they will now be in their coursework directly related to music and audio recording. For students to get the feel of what an actual recording studio looks like, many colleges have in-house simulated recording studios.

Then, there are Long Beach recording schools that do not require four years of study, but which directly puts students on hands-on training right at the very first day. These types of schools feel that hands-on method of training together with the mentor-apprentice relationship is the most optimum conditions for a student to truly understand the recording business. Learning side-by-side some of the best and most successful music producers and audio engineers in the business, this non-traditional approach to this field of study has proven to be very effective and very advantageous to the student.

-By: Alex D Baker

Long Beach Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Training and Hands on Experience at Recording Schools

San Francisco is home to the last concert the Beatles performed in Candlestick Park on August 29, 1966. The renowned band selected this city due to its rich music recording history and the loyal fanbase. Also, in 1962, Tony Bennett was awarded a Grammy for his song “I Left my Heart in San Francisco,” – this was the second time that a song with a name of a city in the title won something. In 2002, Tony sang his iconic song to an adoring crowd as he recorded his live concert for PBS.

Needless to say, San Francisco is the ideal place to study music and recording due to its rich history about the industry. Whether the student likes to focus on: analog production, surround sound, digital recording and transmission or amplification and modulation, there are several schools that would not only train the student but give them hands-on experience too.

In the music and audio recording business, it’s significant for the budding engineer to experience the mentor-apprentice relationship in order to truly understand how this business works. Indeed, there is no better way to learn this business than in a one-on-one partnership with a real industry expert. Mentoring has always been an integral part of any hands-on method of learning and with recording, it’s even more helpful.

San Francisco recording schools give students a wide variety of techniques used for various areas of this business. When you talk about sound and recording, you need to understand how to mix vocals, musical acoustics, and digital electronics. The use of various microphones and their tonal qualities is explained while the student watches the professional apply the knowledge to a working studio environment. However, for institutions that offer a degree program in sound recording technology, they may not have much of the hands-on training. They will emphasize on musical acoustics, fundamentals of electronics, digital electronics and music technology all taught in a traditional classroom set-up.

With its rich heritage of music and recording artists, is the ideal setting to learn the ins and outs of recording studio production. This exciting field of endeavor, with its mentoring capabilities offered by San Francisco recording schools, creates not only an enjoyable learning environment but allows for industry relationships to be forged with the hopes of securing employment after the student’s coursework is done.

-By: Alex D Baker

San Francisco Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

CD Mixing Tips – 10 Tips to Get Your Music Mixes Rockin

With the widespread availability of affordable computers and powerful software for music mixing, the average musician is now able to set up a reasonably decent home studio on a relatively small budget. However, even though the software is extremely powerful and versatile, what seem to be missing are tips on how to create a great mix.

So, without any more fanfare, let us get right down to the 10 mixing tips you can try IMMEDIATELY to improve the quality of your mixes:

  1. While mixing, keep a close eye (and ear) on all those plug-ins. Each one of them will distort if the output signal exceeds the acceptable threshold level. Because the output meters are out of sight when the plug-ins are closed, it is fairly easy to be unaware of the distortion, all of which can absolutely ruin your mixes.
  2. Make use of the high-pass filter found on many equalizers to cut off the low frequencies on tracks that do not need the presence of low frequencies (e.g. frequencies below 100Hz) in order to sound right in the mix. These include vocals, hi-hats, keyboards, etc. Of course, all this depends on the song itself. For example, if you are mixing a song that is just piano or guitar and voice you might run a high-pass filter much lower down, around 40Hz or so, in order to maintain some of the bottom end in the mix. However, even the bass and kick drum can be improved by rolling off frequencies below 20Hz. Most project studio mixes sound terrible because there are too many sounds competing for space in the lower frequencies. On the opposite end of the spectrum, you can use a low-pass filter on instruments like bass and kick drum that do not need the presence of high frequencies.
  3. Try using compression to even out volume variations and control the attack of a sound. Using a FAST attack will accentuate the body of a sound, while using a SLOW attack will increase the definition. Bass, kick drums and vocals tend to benefit most from compression, although you should listen to all your tracks with and without compression to see what works best. Keep an eye on the other settings on the compressor (Input, Release, Threshold, Ratio, Output Gain) since these can dramatically affect the results you are trying to achieve. It’s also important to remember that compression can raise the level of background noise in your mix as well as accentuate sibilance (esssssss’s) in the vocals. It may help to place a de-esser after the compressor to take care of excessive sibilance.
  4. Listen for tracks that can be cleaned up by scooping out (reducing) the frequencies between 150 – 300 Hz. This is generally where the ‘mud’ tends to be in most tracks. Be careful when you do this however, since this can also be where the meat or warmth resides on some tracks. Listen for the track(s) that can benefit most from this action, and do not scoop out too much of the track or else your mixes will start to sound thin.
  5. Always listen to your mixes IN CONTEXT! It doesn’t matter how great that kick drum sounds by itself if it sounds terrible once you turn everything else up. Its okay to solo a track briefly to get a sense of what is happening to the sound as you apply processing, but only do that for a few bars and then listen to it with everything else in context.
  6. A parametric equalizer is an extremely powerful signal processing tool used to sculpt sound. It is generally better to cut (reduce) than it is to boost (add) frequencies, although you should always do what is right for a particular track. Begin by making the track sound terrible (by boosting a specific frequency dramatically and sweeping slowly across the spectrum at a fairly narrow bandwidth as you listen), and than cutting the frequency that sounds bad in order to reduce the presence of the ‘bad’ sound. Do that several times using each band, listening for when a cut or a boost is necessary, until you either run out of ‘bands’ or don’t need to make any more cut/boost corrections. Don’t feel the need to use every band available, though. When using EQ and other signal processors, less processing tends to be more beneficial to the overall sound of the mix (i.e. less is more).
  7. Don’t mix entirely in headphones, or at extremely loud volumes through your monitors. Spend most of your time mixing at moderate and even low volumes, occasionally cranking it up to see how things move at those high energy levels. Try listening to your mixes through several different headphones (which can pick up clicks and pops not heard in the monitors) and at different volume levels through the monitors, as well as on different monitors if possible. The mix will surely sound different on the different systems, but the objective is to get things to sound good on all systems, not great on some and terrible on others. Occasionally walk away from the monitors and listen to your mix from another room. This gives you another perspective on level imbalances not apparent inside your normal mixing environment.
  8. Concentrate on the busiest parts of your mixes first. This may be the hook (chorus), or bridge section, and this is where your mixes tend to get away from you the most. As you listen, make a determination as to whether or not EVERY SINGLE TRACK and EVERY SINGLE LAYER absolutely NEEDS to be in the mix ALL THE TIME. Mute / un-mute and add / remove tracks one at a time to evaluate their contribution to the impact of the song. It may be necessary to strip away some of those layers in order for your mix to sound more punchy and energetic.
  9. Make good use of automation. If that is too complicated (based on your understanding of your music mixing software) you can try breaking up your tracks into song sections (e.g. VOCAL intro, VOCAL verse 1, VOCAL B-section, VOCAL hook, VOCAL verse 2, VOCAL bridge, etc). The reason for this is that the signal processing and volume / pan settings that work for a track in one section of the song (e.g. VOCAL verse 1) may not necessarily be right for another section (e.g. VOCAL hook). In this instance, you may need to set your EQ, chorus, compression, reverb, pan, and volume settings differently for the different song sections. The same may apply to other instruments as well.
  10. Tune your instruments often during your recording session, or at least CHECK the tuning often. Even though this is a no-brainer for bass and guitars, don’t forget that even drums (kick, toms, and snare) need to be tuned in order to sound their best. No matter how well you process the tracks for your mix, out-of-tune instruments will distract the listener and contribute to the impression that the mix sucks! It is sometimes possible to tune your instruments after the fact, but that time could be better spent on other crucial areas of your mix.

And there you have it! Try out some of these mixing tips and you will find yourself on the way to better mixes in no time.

copyright 2007 Jeremy Rwakaara

-By: Jeremy Rwakaara

Problems getting your music mixes to sound right? Confused about what to do with your CD once you’ve finished recording it? Don’t know how to put together a tour so that you can make some money selling merchandise, tickets, and lots of CD’s? Author, consultant and music producer / engineer Jeremy Rwakaara offers music articles, CD mastering tips music mixing software list, glossary of recording terms and a music directory at the audio mixing and mastering studio site

The Recording Industry and Recording Schools

The recording industry has always been an interesting and technical field – and to be part of that, you may need to start by enrolling in Milwaukee recording schools.

All kinds of innovations and technological advancements have radically changed the nature of recorded music, with so several consumers buying from the net and enjoying music that stems from a virtual space, while so many record stores are resultantly having to close shop, unable to keep up with their internet competition. This doesn’t mean that the recording industry in general, just that it’s transforming dramatically, and there has actually never been a better time for you to be a part of that transformation.

Going on the road with bands for extended tours has increasingly become the dominant revenue generating outlet in the recording business, with the theory being that fans who enjoy the live show will then buy the album (or a portion of the album) online. One may believe this makes record executives and technicians less significant to the process, but in fact, they’re more important than ever, helping to mold the music the talent will perform to increase its financial return when the fans purchase it on the internet.

To comprehend technicalities such as these, including countless other subtleties and nuances of the business, you’ll want to start at Milwaukee recording schools. These schools make use of mentorship programs that will offer one-on-one coaching on all facets of the business: technical, creative and even financial.

Do not be frustrated if you know of other people who tried to make a go of it in recording without success. Just don’t forget that with the right type of training and education, you will one day find a successful, secure and lucrative recording career – whether you’re a newcomer to the employment pack or are trapped in an unfulfilling job. Indeed, a career in recording may not always be about flashy cars and fabulous groupies but it can certainly provide you with a stable future and a fat bank account.

In summary, don’t hesitate to be part of recording industry – and a wonderful way to begin is in enrolling in one of the Milwaukee recording schools.

-By: Alex D Baker

Milwaukee Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Music Licensing Directories

I’m sure you’ve heard the expression before that in the music business “it’s who you know”. There is some truth to this idea but it doesn’t mean that if you don’t already know someone working in the business that you can’t get to know them. The music business is a business that consists of a vast network of relationships and the more people you have in your network of business relationships the more opportunities you will find coming your way. But EVERYONE starts at the beginning so to speak, so don’t worry if you don’t already know the right people. Get to know them! You can very easily start introducing yourself and building relationships by being proactive and promoting yourself. It worked for me and I know it can work for you too!

One of the best ways to get to know people working in the music licensing industry, if you don’t have any connections, is to use music licensing contact directories. You can easily get contact information for music supervisors, music libraries and music publishers by using these music industry resources. Some places accept unsolicited submissions and some don’t, so make sure to contact each company first to confirm that they’re open to hearing your submission. There’s no point in taking the time and effort to submit your music if it’s not going to be listened to. There are however MANY companies that are open to submissions from unknown songwriters, so don’t let the fact that a few places don’t accept unsolicited submissions deter you.

Where do you find music licensing contact directories. There are several available. My company, How To LIcense Your music.com, offers a great industry directory that is updated each year. Visit my website for more information. Also try simply searching on Google for “music Licensing DIrectory” and I’m sure you’ll find other resources. There are plenty of people waiting to hear your music if you’ll only take the time and effort to find them!

-By: Aaron Davison

Aaron Davison is a Berklee College Of music Alumnus who has been working in the music business for over ten years. His songs have been heard on a variety of television shows and he has performed live throughout the world. Visit Aaron’s website, http://www.howtolicenseyourmusic.com, for more information on getting your songs placed in TV and Film.

Licensing means granting permission for the use of one’s music to which you own the copyright

Licensing is a great way to make money by placing your songs in film, TV, commercials and video games. This article explains what licensing is and how it works so that you can join the legions of music artists who are enjoying additional income from having their music licensed.

What is licensing?

Licensing means granting permission for the use of one’s music to which you own the copyright.

Certainly the goal of an artist who writes their own music (a la the copyright owner) is to maximize the revenues generated by the musical composition.

When you license the use of your song, say in a TV show, you not only get a fee for the use of the license, but it gives the song and the artist greater exposure to the listening public, which can increase one’s fame and fortune. The use of music in the TV program, “The OC,” has launched the careers of several previously unknown independent artists, Rooney, in particular.

Before we dive into how to get your music licensed, we need to go over some terms that are commonly used with licensing.

Copyrights

Be sure to file a completed copyright form along with a copy of the music with the US Copyright office before attempting to license your songs.

You can find the forms and instructions at www.copyright.gov. There are two copyrights for a song; a copyright for the sound recording (Form SR) and a copyright for the underlying song (Form PA). For our purposes here, let’s clarify that we are talking about licensing original music of an Independent Artist who is not signed to a label or a publishing company and who owns both these copyrights.

Publishing

Publishing is one of the most complex parts of the music business and yet it can be the most lucrative area of income for musicians. music publishing is the owning and exploiting of musical copyrights. A song is made up of two equal shares: the writer’s share and the publisher’s share. Songwriters affiliate with Publishers because their main job is to commercially exploit (increase use and value of) songs. Most independent artists/musicians are their own publisher, and therefore own 100% share of the song. If that is you, then this is why you want to get educated on how to pursue licensing for your music.

Licenses

The license for use of the sound recording is called theMaster Use License. The license for the underlying song is called the Synchronization License (aka synch license), used when a musical work is synchronized in time with visual images, either background, theme or feature use in TV shows and Film.

Now we know the basic terms…time to learn what to do next.

Do your research by watching existing TV programs and write down every show you think your songs would fit into. From TV programs including reality TV, types of scenes in movies, video games, and commercials. Learn to think and listen visually; everything visual has a potential sound accompaniment.

music

Becoming a Legendary Artist Starts in Recording Schools

The Sacramento music and recording scene is characterized of legendary artists, both then and now. Beau Brummels, Papa Roach, Eddie Murphy, Lee Greenwood as well as Morton Downey Jr. who co-wrote the rock classic, “Wipe Out,” are just some of the well-known artists that resided and recorded their music in this fine city. This city is rich in music recording history and it continues today to be the center for great clubs that feature all kinds of music and local bands and recording artists.

And Sacramento recording schools are no exception to this. These schools offer various kinds of education including a bachelor’s degree in Recording Arts. If a degree is in your future, then the coursework would include core courses for the first couple of years with the last two years concentrating on music theory, editing and creating, audio recording techniques and even audio maintenance and repair. These schools aim to let students study a curriculum that will give them considerable background in all types of music and an appreciation of its history.

Bachelor of Recording Arts degrees can be used for the following jobs: Broadcast Technician, Sound Effects Editor, Sound Studio Engineer, Radio Operator or an Audio and Video Equipment Technician. The student shall then be able to create a professional studio mixed recording or a music for a movie soundtrack.

Along with colleges that provide degree programs within the Sacramento recording schools, there are also several alternative types of institutes and training centers for the future recording artist or engineer in this business. These schools offer a more focused kind of education to mold a student that has full knowledge and experience about the industry. These schools do not make the four walls of a college as their classroom. Immediately upon being accepted into these schools, the student is working with a mentor side-by-side learning about the newest gear and watching the mentor work. Soon, the apprentice is working alongside the mentor; learning the skill first hand.

Like anything else, this career choice is truly a personal decision. Just realizing that there are many choices in Sacramento recording schools should motivate each student that has decided to enter into this fascinating field of study; the recording business.

-By: Alex D Baker

Sacramento Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

How Much Music Theory Should a Guitarist Know?

I personally believe that one should know the rules before they break them. Obviously it is not good to be overly analytical but it wouldn’t be an entirely bad thing to look at music from an analytical perspective. In order to look at things from an analytical perspective, you need information to analyze. That’s where music theory comes into play. So what I am about to present is not only a case for learning music theory but also what basic components of music theory you should, at a minimum, possess knowledge of.

It is important when you are playing along with a band that you have some idea as to what key you are playing in; especially if you are working on original material. You may be able to learn cover material from listening to a CD but it is also easier to pick up any song whether cover or original if you know music theory. Even more so if you know your way around the different keys.

There really isn’t much of an excuse for not taking the time to obtain some knowledge in music theory. There are free sources of information all over the Internet. Probably the most basic, yet essential, information would be knowledge of the keys, chords and scales.

You should be familiar with the 12 major keys and their relative minors. Having an adequate understanding of the different keys will allow you to be able to transpose a song from one key into another. There are a number of times where I’ve transposed a song from one key to another simply because it was a better key for me to sing in. You may find that to be the case with a number of singers.

You should have an adequate chord vocabulary. There are also a few scales that every guitarist should be familiar with, like the major or diatonic scale as well as the harmonic minor scale and the pentatonic scale in both the major and minor modes.

If you don’t want to spend the money on lessons or books, you should run an internet search for the information you want to obtain. I would first suggest you run a search for guitar chords listed by key. Check out a few sites to see which one offers the easiest approach for learning.

After you begin to learn the guitar chords by key, you should start learning scales. You should also run an internet search for guitar scales listed by key. You may be even more specific than that. For example: you can enter D harmonic minor and you will get a great number of results.

So, in conclusion, I hope that I have not only convinced you that learning music theory would be a valuable asset to your musicianship but that I have also set you off in the right direction towards doing so.

-By: Bob Craypoe

About the Author:
Bob Craypoe is a musician, writer, cartoonist, webmaster and entrepreneur who resides in Northern New Jersey. He is the creator of
Guitar4Blind.com (a site that teaches the visually impaired how to play guitar), as well as numerous other sites. You can hear his music at: http://www.craypoe.com/bob

The Possibilities of Recording Schools

If you are interested in the recording business, there are numerous solutions to go about mastering what you should be adept in the field. In Dallas recording schools, become familiar with how to be an Audio Engineer.

An audio engineer is a one that manipulates sound through mechanical (analog) or digital means. You may record music and vocals for a music CD, or maybe a person reading a book. You may even design the equipment which is used to record on. As an audio engineer, there are numerous avenues of jobs. You are able to perform in the music industry, motion picture and TV, and also law enforcement.

To understand audio engineering as well as joining the recording business, many people does not look at Dallas as the best area. Dallas has a dynamic nightlife, as well as there are several opportunities to network your abilities.

In Dallas, Texas, there are various ways for schooling. The Media Tech Institute is among these. Not only the school can make you work on assignments in connection with additional different audio related jobs, additionally, it offers Recording Arts program which will educate you from the basics to the advanced principles of audio engineering with hands-on practical knowledge and also trained by real specialists in the industry.

Another one of the Dallas recording schools situated Dallas, that will allow you to to grow to be an audio engineer is The Recording Connection Audio Institute. This college is keeping the mentor-apprentice approach as well as utilizing contemporary equipment in learning. You’ll be partnered with a advisor that’s currently working in the industry, in this way, you will study a whole lot from her or him.

Dallas happens to be the spot for music. Since 1920’s and 30’s, the Deep Ellum is a club that is identified for the Jazz and Blues music. At present, the local music arena is both lively, and modern. At the moment, you’ll find over 30 Dallas radio stations. They range between Country, Classic Rock, Classical, Blues, Jazz, Hip-Hop, News, Talk, and Sports. So no matter what your favorite music may be, you’ll be able to check out being employed by a station that may simply go with your preferences.

-By: Alex D Baker

Dallas Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Music Schools – Creates Excellent Music Makers

While perhaps much less frequently pointed out, as it is southern neighbors, Tennessee and Louisiana, Oklahoma has however created several crucial musical artists over the years. Tulsa, specifically has supplied the flourishing professions of various music groups just like Gap Band, Elvin Bishop and the Hanson.

Students who decide to go to Oklahoma music schools have the opportunity to learn the recording business in the midst of this flourishing musical culture.

Excellent music makers, audio mixers and planners with an outstanding hearing talent for the subsequently enormous music industry are continuously pushing themselves in. And participating in music school is a good place to acquire the abilities you need to embark on a profession in producing records.

However the music business continues to be one of the most aggressive fields on Earth. Individuals who intend to set foot in the world of recording industry must have an edge with all the options to have a head start in the competition. While attending Oklahoma music schools can be a good place to start, by yourself, it might not be sufficient.

Personal training services give those ambitious individuals the most effective opportunity to better increase the ambitious advantage. Trainees learn the actual ins and outs associated with the particular recording industry even simultaneously as working in a realistic, operating recording facility with professional studio individuals as his / her teachers. Students put their training into action, as they acquire useful on the job experience in recording, mixing and producing records.

The musical industry is substantially different that of additional trade. Unlike various other areas, a degree and great grades from a excellent school won’t necessarily result in good results on the employment market. Upon graduating, numerous bright, talented students can find themselves at a loss as to the direction to go.

It’s a given fact that the music industry is in reference to whom you are familiar with and regarding exactly what you understand.

Along with providing very helpful first hand working experience, mentoring programs provide students the possibilities to make the connections that are necessary to gaining entry into the music business.

Oklahoma, with its a lot of bands, recording studios and live music venues, presents many opportunities for anyone wanting to set about work in the record business. However beyond that, Oklahoma creates talent that the remainder of the nation attracts from.

Individuals enrolling in Oklahoma musical institutions can easily inch themselves within the music world as music makers, audio mixers, managers and on set audio blenders in virtually all musical industry all over the realm.

Personal training services offers the best gain towards the ladder of success in a competitive world.

-By: Alex D Baker

Oklahoma music Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Mentorship Program – As Emphasized in Recording Schools

If you are looking for a career in the recording business and searching for Missouri recording schools, you may realize that there is a limited number of alternatives. Your normal alternatives include majoring in some kind of media studies from a local college or enrolling in specialized schools – those that focus on recording and production. These types of schools are usually located in the major cities like Kansas City.

But before you decide on one of those options or decide to go out of state to find more worthwhile options for schooling let’s talk for a moment about the realities of the recording business, and the personalities who are involved in it.

First and foremost, you’ll soon realize that the people who were quite a success in the business talk about a mentor who showed them the way – more than the school where they obtained the technicalities of the craft from. The truth is, many people in the recording business learn by doing and the input that matters most to them are the individuals who coached them and helped them along. That, ladies and gentlemen, is referred to as the power of mentorship – the power that takes a large percentage in determining your success in the industry.

Good thing that in truth, it is not really that hard to stumble upon Missouri recording schools. While specialized education is highly useful, it normally comes out as highly costly. And when you consider that many of those people who have gone to school still put high value on the hands-on training they received from mentors even more than their schooling, you have to ponder on how critical the schooling really is. If mentorship is so important to this industry, probably a better solution is to seek a way to be mentored in the craft.

One alternative form of education that’s gaining a lot of traction these days simply taps into the power of mentorship to create an education experience that rivals that of many of the more expensive schools at a fraction of the cost. Instead of letting the students study in another academic or lab environment, the mentor-apprentice method places students into fully-functioning recording studios to be taught by industry experts along a guided path. In short, the classroom is a studio and your mentor is an actual industry professional. This type of arrangement can be translated to minimized costs because there’s no need to maintain a classroom, no need to keep equipment up-to-date.

Therefore, always make sure to look for Missouri recording schools that feature the power of a mentorship program. You might not have to travel far to find the best of both worlds. Your classroom might just be the recording studio down the street.

-By: Alex D Baker

Missouri Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Selecting a Recording School

When you look for the ideal Nebraska recording school for you, you must take time to consider where in Nebraska you will want to receive your education and eventually pursue a career after the completion of your program. You might look to the larger metropolitan areas like Omaha (with its thriving recording business fueled by the “Omaha Sound”) or Lincoln to take advantage of the larger markets provided by such thriving cities. You may also want to check if there’s a neighboring state that you’d like to move to after you finish your education to find work in the business. One of the advantages of going to a in Nebraska are the surrounding states that provide you numerous possibilities for places to live (though you may like Nebraska, you may also find that you want a change of scenery after your education, and it is usually a brilliant idea to plan for such possibilities).

You should also evaluate the technology that the universities you consider will give you to use while you pursue your education. You need to be sure that right after finishing your education, you’re able and comfortable using the programs and hardware utilized in a business as highly technological as music recording and mixing. Therefore, it is important to bear in mind that prior to deciding on your Nebraska recording school, you need to know what’s currently being utilized and how the school’s equipment compare to that.

For this reason, you must also think about what sort of program will work best for you while you get your education. While it is true that many people are comfortable with a conventional classroom setting, others merely find that atmosphere limiting and inconvenient – what with their already full schedule. If you belong to the latter group of people, then it is indeed great to know that alternative forms of education such as mentor-apprentice programs are already available today. The one-on-one approach of having a personal mentor who gives you real world experience and knowledge from within the business can give you benefits that typical classroom learning does not give you. This style also allows you more than enough studio time – this is then translated to having more exposure on the equipment that’s used in the actual workplace. Truly, selecting your Nebraska recording school is not that hard – especially if you add a pinch of thought and planning in it.

-By: Alex D Baker

Nebraska Recording Schools from the Recording Connection offers one-on-one music recording and producing training in real recording studios.

Learn About Recording Schools

Tucson recording schools can provide you the equipments you need to have to be an audio engineer, music producer, or some other position within the recording world. You don’t have to travel in order to alongside Phoenix to be able to come up yourself in a fascinating music business. Tucson offers live music venues including the particular Tucson Arena, Tucson music Hall, and Club Congress, providing the wide range of music styles in order to suit every taste. The city also boasts professional recording studios including Luna Recording Studios, whose clients consist of Lou Reed of Velvet Underground as well as the Rod Stewart Band. Whether your goal is usually to be a live event sound engineer creating dazzling concert experiences, or in order to have work within a studio putting together tracks for an album, it’s crucial that you obtain the right learning and create the sufficient connections in order to set you on your way.

Traditional audio schools typically do the good job of teaching sound theory and providing the technical learning required to be able to function in the recording business. Where they at most times turn a bit short is in helping college students communicate those newly-learned techniques into the real profession. This then translates that by ordinarily listing your schooling on your resume shall be just enough to obtain and make it to your job interviews. The real truth is which, in the entertainment world, degrees are crucial as well as as useless in the event that they are paired by sincere personal connections, as well as “who you know” goes a really long path ahead. If you spend all your time within the classroom, you are missing out on the most crucial piece of your training, regardless which of Tucson recording schools you show up at.

So how do you obtain “in” with the experts who are within a position to hire you after you graduate? By working as an apprentice or intern within a real recording studio, honing your art under the supervision of a professional who has exactly the job you want to have someday. If you engage time doing projects within the recording studio, you shall then know how to not only deal with the studio staff, but with those entering the studio, as well. Which entails and means you shall be dealing with singers, session musicians, talent managers, record label presidents, and the leader of some other skill individuals.

Working on their own projects lets you beef up your resume, and in order to make those crucial interpersonal relationships needed in order to secure your place in the field. If it is time for you to search for work, you would not be giving your resume out to numerous companies who don’t know your identity. You’re also be on the “inside” along with the musicians, recording studio owners, and some some other experts who are within tasked to provide you up with the perform. Take into account Tucson recording schools that can lead your aspirations into reality.

-By: Alex D Baker

Tucson Recording Schools from the Recording Connection offer one-on-one music recording and producing training in real recording studios.

Write Clearly and Professionally to Enhance Your Chances For Success

The following sentence is from an e-mail I received one day. Can you decipher its meaning?

If am sat would be the primary mode of communications than that info about antennas could be strikin from tests?

This is a bit unfair, because you most likely don’t know much about radio equipment and the tests given for an amateur radio license. Even so, it’s quickly apparent how poorly this message is written. (He’s asking whether the questions pertaining to amateur satellite systems should be stricken from the exams. Get it?) How about this gem:

i live in michigan, and i can’t seen to find the people that administer the exams for amuture radio licences. do you know how i can got in touch with someone in michigan about the exam? thanks a lot

These examples may seem extreme, but they are not. Open 10 e-mail messages, and at least two will be written like these. It gets worse. Add in text speak, and you get a real doozy of a message. You know what I mean:

ill cu b4 i go to skool. Ur shoes is cool! lol!

What’s happened to our society? Why can’t people write intelligently?

I first spotted sloppy English in the mid ’90s. I

Music Reviews Not Always Objective

Those who write music reviews are almost always music lovers, and they will often listen to a piece of music again and again to discover all the nuances and sensations the piece can offer. Depending on the music reviewer, their opinions may or not be objective.

music reviewers are in the business of rating music, and sometimes a music review will contain a comparison of songs or albums to an artist’s previous releases. A music review may contain the writer’s opinion on whether or not the piece will be a hit or a flop, whether it is worth the asking price, and whether or not the artists should expect to have longevity in the music business.

Often, the professional music reviewer will specialize in reviewing music that is of a particular genre. For instance, those with expertise in classical music will not usually spend much time listening to and reviewing hip-hop music. Nor would an expert in folk music be qualified to review a punk rock concert. However, some music reviewers are true music lovers with a deep level of sophistication and appreciation for all kinds of music. Those who truly understand that music is an artistic expression should be able to judge the music on its own merit, and form an objective opinion.

Sometimes a music reviewer will be required to give an unbiased opinion, even if the reviewer does not personally care for the piece. If the reviewer feels that there is some audience for the piece and it deserves a good review, the objective reviewer with experience and good sense can set aside his personal preferences and honor the piece with an honest review.

Artists and producers can submit their work for consideration to magazines, newspapers, movies, television, books, and even the Internet. The confident musician might submit their music to selected reviewers with a targeted audience of readers. You may petition as many music reviewers as you see fit, but you must understand that artists cannot control the music reviewing process. While a good music review can significantly boost the artist’s career, the musician should be prepared to accept the consequences if the piece does not ultimately receive a positive review.

Find more information about music Reviews at MediaPositiveRadio.com, providing the world with uplifting, positive music and entertainment.

-By: Michael Wiseman

Michael Wiseman is a staff writer for Media Positive Communications, Inc. in association with MediaPositiveRadio.com. Find information about music careers and much more at MediaPositiveRadio.com.

Copyright 2007 – All rights reserved by Media Positive Communications, Inc.

Notice: Publishers are free to use this article on an ezine or website, provided the article is reprinted in its entirety, including copyright and disclaimer, and ALL links remain intact and active.

How to Gain Fans For Your Music Through the Internet

MySpace, Facebook, FourFour…

I like to think of all the other social websites in one. Each has its own specific type of follower. Each has a clear demographic and fortunately, each has a different type of demographic. They may overlap but none are identical. I recommend the same look and style as far as possible so that it is easy to know that it is you, the “real” you. Take each into account separately. Consider the formality level, artistic styles, and of course the rules of use. Look at the most popular sites on that media and see what strikes you. What attracts you? What attracts you is probably what you want your fans to be attracted by. Do not be afraid to copy. What don’t you like? Don’t do that.

Be careful of claims of how to gain followers fast. Many of these can drag your reputation down quickly and reputation is something you want to keep control of. Very few of them work and of those, fewer have a long term advantage.

Concentrate on one social network at a time until you have what you consider to be the correct set up of your account and then move on to the next. In most cases you can get your twitter account to update status comment so that you will stay active.

Once you have your social websites active and working, a further web source you might occupy your time with are the web forums. This is a cyber coffee shop (with coffee made by you) where people of similar interests exchange information, ask questions and chat. At this point it is not clear whether it is better to chat little in many or a lot in a few. One thing is certain. You should be active in at least some. Again, do not just talk about yourself. Answer questions, help people out. Make your website addresses easy to see on your chat profile so that anyone who is interested can look but don’t push it into peoples face. If they like you they will look. Just get to know “your people”.

Blogging, Squidoo, HubPages

The final group of social media I am going to talk about are the blog and article sites such as Blogger, HubPages and Squidoo. Your aim is to write about what you know. Make yourself a place that others enjoy looking at. Show your personality and what you like. I suggest, depending on your available cyber time, that you chose one and concentrate your time your on that one.

The over all aim is to gain fans or what the internet marketing world calls “traffic”. You want to drive this traffic. In your case you want to drive the traffic to your own website. That is where you will have your music, your real information and your merchandising. We want to use all the free means possible to gain fans and push them to you website and keep them coming back. You will have your web address on all your social websites as a clear link. I suggest you also have a list on your website of all of your social web ids. It should be on your home page to make them clear and easy to find. The most important address to have on all your social web addresses is your own web address.

Your website is where you can control your income. This is where you will give information about your concerts, sell your music and any other merchandise and most importantly keep your fans satisfied with regular contact, access to each other and relevant updates.

You should try to have a good clear and well set out website. The topic of the personal website I will address in an upcoming article.

Much research has been done. It has been found that a recommendation on a social website is given more trust and thus has more effect than paid media advertising. And it costs nothing but time and dedication. It is the hardest to achieve but you are not looking for everyone’s approval, just “your kind of people”.

This has been a short simplified introduction into using the internet to attract fans to your art. I have aimed it at musicians but it applies just as well to any other artist, group or company looking to use the most significant marketing tool to arrive since paper. I am not suggesting that this replaces paid marketing sources. It is also not a terrible idea to use paid experts once you can afford it. The larger and more successful you are at interacting with your fans the better you will have to take care that you do it effectively.

Well good luck and I will be back with more with some new subject material soon.

I love this stuff

James

-By: James Allan Giscombe

James has a Masters in Business Administration and concentrates on the European music industry and the internet. He has a music management business and a number of artists which he looks after. Get more valuable tips on furthering your music career using the Internet by following me at http://twitter.com/jamesallan0 visiting James at http://www.jamesallan.de

How the Internet Has Changed the Music Industry

The evolution that has taken place in the music industry over the last 15 years is quite staggering. The entrance of the internet onto the world stage has revolutionised the way music is bought, marketed and shared. It is not only the depth of the changes that are occurring, but also the increasing rate at which these changes are taking place. New technologies and processes are becoming outdated almost as soon as they are first officially adopted. Love it or hate it, the world wide web is here to stay, and it has irrevocably changed the business of music.

How music is purchased – Traffic to brick and mortar music stores is decreasing at a steady pace. Stores have had to entirely rethink their sales strategies and embrace a vision that is larger than just the sale of music. The mp3 has made it possible to purchase music from the comfort of your own armchair or bed. The possibility of CDs becoming completely obsolete in the not too distant future is not that far fetched at all. Gone are the days of buying an album containing 3 or 4 songs that you like, with the rest that you have to tolerate or entirely ignore. Now, you buy only the songs that you know you want. This has resulted in a decreased revenue for record companies and artists because the guarantee of the sale of a complete album no longer applies. A greater emphasis is therefore now placed on the release and marketing of “singles” in an attempt to boost profits.

How artists gain exposure – Along with the internet, came the artists ability to market and promote themselves with unprecedented efficiency. Loading an mp3 file onto a social networking site like MySpace is significantly easier than the time, money and effort required to organise a gig to achieve that same goal. Not only that; instead of playing their song to 50 people in an obscure club somewhere, that song is now immediately available to millions of potential fans around the world at the click of a mouse. It is therefore not unheard of anymore to find bands that are bringing in significant income and gaining substantial popularity, without a record deal having ever been signed. There is also a greater degree of interaction between the artists and their fans, which further cements the connections between them which influence sales.

How music is shared, copied and stolen – One of the biggest challenges facing the music industry is the issue of music piracy. The available technology makes music theft incredibly easy, and incredibly cheap. The impact on music business revenues in recent years in incalculable. Pirates around the world are now stealing music as easily as customers are buying theirs, from the comfort of their own homes. CD-R, P2P (Peer to Peer) and torrent technologies have made music piracy an issue that gives artists and record labels alike a great deal of concern.

As these and other issues continue to alter the face of the music industry, it seems that one rule is becoming more and more clear. For the artist, record company or retail business, that requirement must be, adapt or die.

-By: Tracey Roper

Tracey Roper is a freelance writer and webmaster. Visit her sites to find out more about DVD duplication and custom band merchandise.